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  • Jul 4, 1998
    Emmylou Harris appears at Willie Nelson's Fourth of July Picnic, held in Luckenbach, Texas, for the fourth straight year. Also in the mix are Ray Price, Asleep At The Wheel, Jack Ingram and Billy Joe Shaver
    Sep 30, 1998
    Asleep At The Wheel records "End Of The Line" at Austin's Bismeaux Studio, for the Bob Wills tribute album "Ride With Bob"
    Nov 2, 1998
    Vince Gill's annual celebrity basketball game at Belmont University attracts Terri Clark and Asleep At The Wheel's Ray Benson, among others
    Nov 15, 1998
    Lee Ann Womack joins Asleep At The Wheel at Nashville's LOUD Recording Studio to record "Heart To Heart Talk" for the Bob Wills tribute "Ride With Bob." The album receives a Grammy nomination in January 2000
    Nov 16, 1998
    Asleep At The Wheel records "Bob's Breakdowns" with a cast that includes Vince Gill and Steve Wariner, among others, at Nashville's LOUD Recording Studio. The instrumental eventually earns a Grammy nomination
    Nov 17, 1998
    Reba McEntire trots into Nashville's LOUD Recording Studio to join Asleep At The Wheel in cutting "Right Or Wrong" for the Bob Wills tribute "Ride With Bob." The project gains a Grammy nomination for Best Country Album
    Dec 17, 1998
    Asleep At The Wheel records the instrumental tracks for "Bob Wills Is Still The King" at Austin's Bismeaux Studio. Three months later, Clint Black adds his vocals to the song, part of a Grammy-nominated Bob Wills tribute, "Ride With Bob"
    Dec 20, 1998
    Asleep At The Wheel records "New San Antonio Rose" with Dwight Yoakam at the Mad Dog Studio in Burbank, California, for the Bob Wills tribute album "Ride With Bob." The album picks up a Grammy nomination
    Jan 20, 1999
    Tim McGraw joins Asleep At The Wheel to record "Milk Cow Blues" at Nashville's LOUD Recording Studio in the first session for the Bob Wills tribute album "Ride With Bob" since the Christmas break. The album gains a Grammy nomination
    Jan 21, 1999
    Asleep At The Wheel and The Dixie Chicks join forces at Nashville's LOUD Recording Studio for the first of three sessions on "Roly Poly." The track earns a Grammy nomination for best country collaboration

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